Using local postal services and envelopes as a way to connect across geographic distance (Coventry, and Hull, UK), this new work has been extracted through writing, drawing, photography, research, and archives in an attempt to rupture, and reveal our do-it-together (D.I.T) sound.
Exploring the potential of somewhat forgotten spaces in a city, such as public seating areas and hidden greenspaces, I will meet you here is a framework for togetherness; for empowerment and taking back public space.
Each gathering begins with a meeting place, a short walk, and a destination; through creative exploration of underused public spaces, we collectively challenge our agency in the world around us and – hopefully – create a new feeling of togetherness.
I will meet you here is a collaboration between Alexander Stubbs and Wes Foster.
TBC
Past gatherings:
PUBLIC. Sunday 1 June 2025.
WALK. Sunday 27 July 2025.
ARCHIVE. Sunday 21 September 2025.
Saturday 25 April 2026. (Part of the public programme for Artist Rooms: Jenny Holzer programme at 20-21 Scunthorpe)
It's a space for artists to show their work in a new context; one which is part-public, part-domestic.
A thinking space, a testing space, an unfinished space.
* Tenfoot is a word commonly used to describe a passageway in the City of Hull in East Yorkshire and the surrounding area, so called due to the passageway being 10ft wide.
Abby Poulson
Anna Farley
Ocean Baulcombe-Toppin
TYPELOOPS (2024-)
Each performance includes two typewriters and a single loop of paper fed between them. Over a fixed period of time, we communicate to each other via the medium of the typewriter, creating long written pieces which eventually become overwritten, edited, and rewritten as time elapses.
Working with multidisciplinary artist Jay Moy, we have included elements of sound recording, editing, and performance to accompany the text-based work, resulting in a four-track CD and tape titled TYPELOOPS DOCUMENTATION.
Hull Artist Research Initative, Hull, UK.
Electro Studios Project Space, St Leonards-On-Sea, UK.
Interrogating the shifting relationship between oral, aural, mark making, and photography, this work asks whether words ‘take-on’ meaning through the act of being spoken or can they create their own meaning before they are read aloud.